This was used to play simple chords (3 or 4 notes to make major, minor, 6th, 7th, 9th and minor 7th chords) through another chain of effects.
This is the smaller problem, yet it is still annoying. In Ableton Live 11 Suite though, even though I selected mono outputs in Kontakt, these are only selectable as stereo inputs for the audio channels in Live. Prior to following the steps below, check your audio preferences are connected to the right output and make sure your MIDI track channel isnt muted. The Vocal Pad Loops were made from a set of 'Oohs' recorded note by note over our almost 2 octave range, and with some prodigious use of Nuendo's pitch correction algorithms, a basic loops 'Ooh' instrument was created in Kontakt. Ive been using Kontakt 6 Player before in Pro Tools and it worked as intended, the same goes for the standalone application. Patterns were left running while parameters across all effects were heavily tampered with and an interesting result achieved, and this was then captured as a single loop. This was then fed through a chain of plugins that showed no mercy – reverb, distortions, modulators, delays, filters and, of course, Stutter Edit. The vocal samples were recorded with a range of mics: a classic (SM7B), an OK dynamic (55SH – Elvis mic), a odd mic (Shure 488T – used in aircraft intercoms) and a crap mic (Oktava M64 that was probably made for Russian supermarket tannoys) were used to record a variety of words, noises and phrases that were then loaded into Kontakt.įirst up was tweakery in Kontakt itself – LFOs to formants, Timemachine and Beatmachine modes, etc. Here are the three ways I know: 3rd party library that has Native Instruments serial- expand 3rd party library, put it some place you can find, add serial in Native Access, point native access to it. This sample pack has been created from glitched-out and manipulated samples of the human voice.
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